Research
As a researcher at the intersection of art, science, and design, I am deeply fascinated by how these disciplines converge to fuel innovation, creativity, and strategic problem-solving. Art expands the boundaries of imagination and emotion, while science offers precision, structure, and a framework for discovery. Together, they create a dynamic foundation for product research, strategy, and case study exploration, where data, empathy, and creativity intersect to drive meaningful outcomes. This integration inspires breakthroughs in digital media, 3D visualization, and AI-driven design, blending aesthetic intuition with analytical depth to create products that are both functional and emotionally resonant.
My research methodology emphasizes case study analysis, user research, and data-driven insights to understand how people interact with technology and design. Through contextual inquiry, ethnographic observation, and usability testing, I uncover behavioral patterns that inform product direction and strategic decisions. Each project begins with market and competitive research, followed by iterative testing and evaluation to refine the design for real-world impact.
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As a student, I have had the opportunity to conduct research on two occasions—first, exploring the human tendency toward creativity, and later, studying the impact of the scientific revolution on the philosophy that shaped visual art. The former investigates the nature of creativity through cognitive and metaphysical inquiry, while the latter examines how technological change redefined artistic representation and cultural perception. These studies, combined with my ongoing case study-based design research, have strengthened my approach as a design strategist, allowing me to merge art, science, and technology into a unified, human-centered research practice.
The Creative Gene
(academic)
This thesis explores the multifaceted nature of creativity, examining its cognitive, emotional, and social dimensions. Creativity is more than an artistic skill; it is a dynamic process that involves generating novel and valuable ideas across diverse fields. By analyzing theories of creative thinking, the influence of environment and culture, and the role of technology in modern creative processes, this study seeks to uncover the mechanisms that drive innovation. The goal is to provide a comprehensive understanding of how creativity can be nurtured and harnessed, impacting disciplines from the arts and sciences to business and technology.
Philosophy in Art : Pre and Post Scientific Revolution
(academic)
This thesis investigates the profound impact of the Scientific Revolution on the philosophy underlying visual arts. The period, marked by groundbreaking discoveries and a shift toward empirical observation, redefined how artists approached their work. This era influenced the integration of perspective, anatomical accuracy, and naturalism in art, bridging the gap between art and science. The research delves into how scientific advancements informed the philosophical underpinnings of artistic expression, leading to a more realistic and exploratory representation of the world. It aims to highlight how the fusion of scientific thought and artistic philosophy during this transformative period laid the groundwork for modern visual arts.
Vision
As a Product Strategist, my vision extends far beyond aesthetics—it's rooted in the belief that design, research, and technology can serve as powerful tools for meaningful change. I envision a future where design bridges the gap between art and engineering, creating real solutions for global challenges. Through product strategy, I aim to design simulations, educational tools, and interactive systems that empower underserved communities, raise climate awareness, and make complex data accessible for better decision-making. My work is grounded in case study research and strategic design thinking, ensuring that every project is informed by user insight, context, and measurable impact.
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I view design not just as visual communication, but as a research-driven, problem-solving process. Each product or experience I develop begins with a foundation of user analysis, contextual inquiry, and evidence-based strategy, translating abstract ideas into actionable, human-centered outcomes. Whether visualizing the effects of climate change or designing inclusive learning platforms, my goal is to craft experiences that inform, inspire, and drive collective progress.
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As a philosophical thinker, I approach design as a way to materialize ideas into tangible innovations. My philosophy integrates creative exploration with empirical research, positioning design as both an expressive and analytical discipline. To me, research and technological inquiry form the backbone of true design thinking—where creativity, logic, and empathy converge to engineer a better world. I strive to create products that not only advance technology but also foster social equity, sustainability, and human understanding.
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With every project, I aim to harness the synergy between art, science, and strategy—crafting designs that go beyond beauty to elevate society, inspire innovation, and shape a compassionate, sustainable future.
Let’s collaborate to forge a better tomorrow.